Three little clay pots

Mold clay into a bowl.
The empty space makes it useful.   Laozi

Three little unfired clay pots sit on my desk. They are simple, misshapen, chipped little pots but they bring me joy. They have travelled many thousands of kilometres and made it to their new home intact; which is no small feat considering how roughly bags are handled in transit.

This trio of terracotta vessels come from India, a land of contrasts and a land that has captivated my heart and mind.  I drank chia on the streets of Kolkata from these pots, one was a gift from the vendor who served my tea in a similar small pot with this one beneath to save my fingers being burnt by the heat of the fresh, steaming brew.  The taller pair I kept, instead of throwing onto the pile in the street.

Why did I keep something that is the equivalent of a disposable paper cup by western measures? They are reminders of a magical land of heat and dust, of remote villages and bustling cities, of streets thronging with people and noise and the smell of delicious street food during the day and a roaring silence at night.  As a reminder of a land where the constant presence of armed authorities, to the unaccustomed, can feel at first threatening and sinister contrasted with the gentle welcoming nature of individuals who draw you into their home, make you comfortable and make tea. It’s a land of colour, art, spirituality, incredible history and aliveness.

These pots are also a reminder of the simple and elegant beauty of life and the richness of human interactions. Someone in that massive country made these pots by hand, they were transported, sold and stacked and eventually passed across the well-stocked counter of the chai wallah’s stall.  An Aussie girl stood in a muddy lane, surrounded by early morning chia drinking men, and numerous homeless dogs at her feet, to enjoy the relative quiet before the hustle and bustle. The simple elegance of these pots, the curious looks, the numerous conversations asking where I was from and how long I would be in India, the shared appreciation of the flavours of a hot milk chai and being warmly included in a long-standing Kolkata morning routine is why I brought them home. This simple elegance of welcoming a stranger to share a daily ritual, warmed my heart.

So, three simple, misshapen, chipped, little clay pots sit on my desk and I smile as I look at them. I arrived home only an hour or so ago from my travels and was overjoyed these tiny earthen vessels survived the journey that I had to write of my joy.

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